Selected Bibliography
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye. Berkeley, CA: University of California Press, 1974.

Arnheim, Rudolf. The Power of the Center: A Study of Composition in the Visual Arts. Revised Edition. Berkeley, CA: University of California Press, 1982.

Bouleau, Charles. The Painter's Secret Geometry: A Study of Composition in Art. New York: Harcourt, Brace & World, 1963.

Calter, Paul (1998). Geometry in Art and Architecture.

Dow, Arthur Wesley. Composition: Understanding Line, Notan and Color. Mineola, New York: Dover Publications, Inc., 2007.

Hogue, David M. (2004). Bezold blending effect (p. 28).

Itten, Johannes. The Art of Color. John Wiley & Sons, Inc., 1961.

Lancaster, Clay. "Synthesis: The Artistic Theory of Fenollosa and Dow". Art Journal Spring 1969: 286-287.

Lehar, Steven (1999). Harmonic Resonance Theory: An Alternative to the "Neuron Doctrine" Paradigm of Neurocomputation to Address Gestalt Properties of Perception.

Ocvirk, Otto G., Bone, Robert O., Stinson, Robert E., and Wigg, Philip R. Art Fundamentals: Theory and Practice. William C. Brown Company Publishers, 1975.

Okazaki, Akio (2001). The Two-way Street in the History of American and Japanese Art Education: Akira Shirahama and Arthur Wesley Dow <>

Poore, Henry Rankin. Pictorial Composition: An Introduction. New York: Dover Publications, Inc., 1967.

Schmid, Richard. Alla Prima: Everything I Know about Painting. Stove Prairie Press, 1999.

Shubnikov, A. V., and Koptsik, V. A. Symmetry in Science and Art. New York: Plenum Press, 1974.

Wong, Wucius. Principles of Form and Design. John Wiley & Sons, Inc., 1993.
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